Holy Trinity Church (Kilmainemore)

Detached five-bay double-height Ecclesiastical Commissioners' Church of Ireland church, built 1860; extant 1893, comprising four-bay double-height nave opening into single-bay double-height chancel (east). In use, 1923. Disused, 1945. In ruins, 1976. Dismantled, 1989. Roof now missing with ivy-covered drag edged tooled limestone ashlar buttressed gabled bellcote to apex to entrance (west) front. Ivy-covered tuck pointed snecked rock faced limestone walls on battered base with drag edged tooled limestone ashlar diagonal buttresses to corners to entrance (west) front having drag edged tooled cut-limestone "slated" coping. Paired lancet window openings to entrance (west) front with drag edged tooled hammered limestone block-and-start surrounds framing remains of cast-iron fittings. Trefoil window opening to gable with drag edged dragged cut-limestone surround having chamfered reveals framing fixed-pane fitting having leaded stained glass panel. Interior in ruins. Set in overgrown grounds.

The ivy-enveloped shell of a church erected to a design signed by Joseph Welland (1798-1860), Architect to the Ecclesiastical Commissioners (appointed 1843), representing an integral component of the mid nineteenth-century ecclesiastical heritage of south County Mayo with the architectural value of the composition, one succeeding 'a plain neat building [with] a tower added about twenty years since' (Lewis 1837 II, 171), confirmed by such attributes as the rectilinear plan form, aligned along a liturgically-correct axis; the rock faced surface finish offset by "sparrow pecked" sheer limestone dressings demonstrating good quality workmanship; the slender profile of the openings underpinning a "medieval" Gothic theme; and the handsome bellcote embellishing the roofline as a prominent eye-catcher in the landscape. Although reduced to ruins in the later twentieth century, and thereafter illegally plundered by vandals (1989), the so-called "West Front" survives largely intact together with interesting remnants of the original fabric including, remarkably, a heraldic stained glass panel pinpointing the now-modest artistic potential of a church making a picturesque visual statement in a rural village setting.