What is recorded here
Sheela-na-gig which may have originally come from a medieval church (WM009-043001-) in the townland of Knock Killua. Freitag records that this sheela-na-gig is now located in the British Museum, London (Witt Collection) and was discovered in 1859 in a field at Chloran [Cloran], and supposed to have belonged to a church (WM009-043001-) nearby (Freitag 2004, 128). The sheela-na gig (dims. H 0.47m; Wth. 0.15m) was described by Freitag as a ‘roughly rectangular granite block, broken and repaired. Rectangular indentation (17.5cm x 6 cm) carved into back, possibly for propping up figure. Huge head with asymmetrical jug ears; ovoid eyes; large, crooked nose with nostrils and very pronounced nostril channels. Open mouth showing two rows of teeth. No neck; tiny round breasts. Arms in front of body with fingers of both hands inside huge oval vulva, sagging between splayed knees. Lower right leg missing, left foot turned outwards; very deep touch-hole underneath pudenda’ (Freitag 2004, 128).
This figure was found in the Cloran [Chloran] area in 1859 and sent to Killua Castle, a 19th century castellated house whose owner was known as an eccentric and a collector. In 1869 the figure passed to the Witt Collection of the British Museum (http://www.irelands-sheelanagigs.org/archive/index-42071.php.html accessed 22 May 2012). The British Museum have mistakenly listed the provenance of the sheela-na-gig as from Chloran [Cloran], County Meath [Westmeath], dating from between the 11th-13th century AD http://www.britishmuseum.org/explore/highlights/highlight_objects/pe_mla/s/sheela-na-gig.aspx accessed 22 May 2012).
Compiled by: Caimin O'Brien
Date of upload: 22 May 2012
A Sheela-na-gig is a type of medieval stone carving, often associated with ecclesiastical sites, typically depicting a female figure in a grotesque or comical manner with exaggerated sexual characteristics; its exact meaning is unclear, but it may relate to themes of fertility, childbirth, or the supernatural.
The monument record does not grant public access. Check the route and ask the landowner before entering private land.
- What survives
- Recorded monument
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