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Saint Alphonsus's Catholic Church — South Circular Road

church/chapel
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Saint Alphonsus's Catholic Church — South Circular Road
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What is recorded here

Attached limestone Roman Catholic church, built between 1858-62, comprising a gabled east-facing nave elevation with buttressing to the height of the flanking lean-to aisle elevation. Single-story porch bay to north linking church to freestanding four-stage square-plan campanile, surmounted by octagonal spire, erected in 1875; with angle corner buttressing rising to third stage which has a blind arcade to each elevation; paired pointed-arch louver panelled openings to forth stage with angled drip mould above with cinquefoil oculus to tympanum. Single gable projecting to cardinal faces of octagonal spire. Five-sided apsidal west facing elevation with frieze of limestone trefoil tracery beneath eaves interrupted by gabled niche in shallow relief with veined marble crucifix rising from single buttress. Gabled transept elevations advancing from north and south elevations and largely flush with side aisle elevations. Projecting lean-to sacristy and three-sided altar projection to west. Spire to southwest corner of south transept. Pitched natural slate roof with black clay ridge tiles; limestone copings to gable parapets with stone cruciform finials. Cast-iron rainwater goods. Squared and snecked tooled limestone ashlar walls throughout with veined marble stone bands at the level of the lintel of the main entrance and sill level of aisle windows, and at varying ascending stages to apex of the nave elevation gable. Gabled entrance comprising half-engaged colonnettes supporting gabled tympanum flanked by angel figures rising from pedestals over colonnettes. Figurative statue ensemble to tympanum set within tracery frame, possibly of cast-iron. Paired opening beneath with veined marble stone colonnette to central pier, arrived at by limestone steps, which is closed by plank timber doors. Secondary pointed-arch door openings to aisle elevation, single-bay porch elevation and east-facing elevation of south transept. Pointed-arch east-facing nave window opening comprising five lancet windows of increasing height towards the centre, overarched by a limestone drip mould; leaded stained glass. Four groups of three pointed-arch lancet clerestorey window openings with limestone surrounds, flush canted limestone sills and quarry glass. Nave arcade comprising limestone columns with stylised foliate capitals with impost blocks from which sprint pointed arch archivolts, which converge just before meeting imposts. Sill course delineates clerestorey level. Crossing of nave, transepts and choir marked by full-height arch spanning with of each side rising from square-plan limestone piers. Form of exposed hammer beam roof structure rising from modillion corbel blocks. Tongue-and-groove timber panelling to aisle walls with timber-framed and panelled confessional boxes set in tall pointed arch window bay recesses having gothic detailing. Chapels advance from both aisles with decorative mosaic and wall painting. Organ gallery to east with timber parapet. Two highly impressive chapels with metal roof structure comprising principal rafters rising from foliate corbels, with figurative and stained coloured glazing. Elaborate plaster, marble and polished granite reredos and altar. Richly decorated chapels and altar areas with highly accomplished mid nineteenth-century mosaic wall covering. Stained glass includes subject matter including Saint Brigid and Saint Margaret, The Visitation, Saint Alphonsus, Saint Patrick and Saint Brigid Converting the pagans. Multiple statuary of nineteenth-century origins, forming donations in respect of the Redemptorist Order donated in 1904. Chapel of Our Lady of Perpetual Help erected in 1868, to the designs of Mr. Ashlin. The high altar constructed in 1865, to designs by George Goldie. Mosaic in sanctuary over the high altar was completed between 1925 and 1927. The Pulpit was erected in 1865 and designed by a Mr. Goldie.

This official record and map point do not grant access. Most recorded buildings are privately owned; view them only from public ground unless the owner allows entry.